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Calm Your Mind:
A Beginner's course to Wood Carving

Introducing –

An online course made for everyone who's interested in architectural drawing. Learn to draw New York's architecture in pen and ink: brownstones, bridges, and the small details that give the city its character.

I'll walk you through my full process, from the first pencil lines to a finished drawing, one line at a time.

ENROLL IN FINE LINES
 

 Calm Your Mind:
A Beginner's course to Wood Carving

Video Poster Image
Introducing –

An online course made for everyone who's interested in architectural drawing. Learn to draw New York's architecture in pen and ink: brownstones, bridges, and the small details that give the city its character.

I'll walk you through my full process, from the first pencil lines to a finished drawing, one line at a time.

ENROLL IN FINE LINES
THE COURSE –

NYC as both subject
and classroom.


Fine Lines is built around New York itself. Its brownstones, its bridges, its street corners and the objects you pass without noticing. Each one teaches something different about perspective, value, texture, and line.

Whether you're just starting or have some drawing experience, I'll walk you through the exact steps of how I draw buildings and architectural details.

Along the way, we'll build a process that's focused and methodical, one that keeps you present in the drawing while your lines stay loose, expressive, and your own. 

Build your skills in line and mark-making, and train your eyes to see light and form, so you can approach any subject with confidence.


Hello –

My name is Nadav.

 

I’m a self taught woodcarving artist. I'm here to give you the tools to start your own carving journey, sharing my experience shaping wood, listening to it, and enjoying the process.

My passion is to spread the calmness and deep satisfaction of woodcarving with a sharp tool, bringing peace and tranquility into the world.

As a kid, I had a lot of energy sitting in class and learning things I had no interest in felt impossible. That frustration and anxiety pushed me to find my own way, and working with my hands became my escape. I still remember the first time I picked up a utility knife and tried carving wood the feeling of the blade slicing through is carved deep in my memory. From then on, I kept exploring, improvising, and finding my own techniques.

In recent years, I’ve seen how much stress and anxiety people carry especially on social media. After my carving videos went viral, with over 300 million views and more than 600,000 followers across social media, it became clear that this craft has the power to calm the mind. Watching is one thing, but carving for yourself is another it’s meditative, grounding, and deeply rewarding.

That’s why I created this course to give you a simple, enjoyable approach to woodcarving. Not just to create beautiful, eco friendly objects, but to help calm the mind and soul in this hectic world.

COME DO THAT WITH ME
THE MEDIUM –

Pen & Ink.
Nothing else.


We work in a single medium so you can focus on what really matters: observation, line, and the discipline of finishing one drawing before starting the next.

THE SKILLS –

You will learn how to:



I      See a building before you draw it

            Break any structure down into a few big shapes, so you always know where to start.


II    Control your line and your ink

           Clean, confident marks, plus the hatching and line weight that create depth with a single pen.


III   Make things look real

           Use light, value and practical perspective to give a flat drawing form and depth, so buildings feel like they're actually sitting in space.


IV   Draw a finished piece start to finish

            Take a subject from first pencil marks all the way to the last layer of detail, using the same process every time.

THE SKILLS –

You will learn how to:


I 

See a building
before you draw it

Break any structure down into a few big shapes, so you always know where to start.


II

Control your line and your ink

Clean, confident marks, plus the hatching and line weight that create depth with a single pen.


III

Make things look real

Use light, value and practical perspective to give a flat drawing form and depth, so buildings feel like they're actually sitting in space.


IV

Draw a finished piece
start to finish

Take a subject from first pencil marks all the way to the last layer of detail, using the same process every time.

INSIDE THE COURSE –

Six chapters.
One line at a time.

 

We start with the fundamentals. The building blocks that make everything else possible. Hatching, line weight, simple shapes. Honestly, it's kind of satisfying from the start.

Then we take it outside. Into the city. Because that's where drawing actually happens. Not in a studio. But standing on a corner, looking up, finding the right angle. Learning to break what you see down into something you can actually put on paper.

I'm lucky to live in a city where everything is a drawing. I want to share some of those places with you.

The same method. Every time. Something to reach for when you don't know where to start. That's what I'm giving you. My process.

ENROLL IN FINE LINES

01

Intro & Materials

How the course works and what's on the desk

We start simple. I'll introduce myself and walk through every tool I use. Nothing fancy, everything intentional.

1.1    Introduction & welcome!

1.2   What to expect from this course and how to work with it.

1.3   Materials. Pens, pencils, paper, and a few extras.

01

Intro & Materials

How the course works
and what's on the desk

We start simple. I'll introduce myself and walk through every tool I use. Nothing fancy, everything intentional.

1.1    Introduction & welcome!

1.2   What to expect from this course
and how to work with it.

1.3   Materials. Pens, pencils, paper
and a few extras.

02

Foundations

Line, light, value, texture, shapes, and perspective

The core of everything that follows. We build clean, consistent marks, learn to observe light, work through the value scale in ink, and break architecture into simple shapes. Perspective here is a gentle guide rather than a strict rulebook. You're drawing for clarity and charm, not engineering.

2.1     Intro to line. Drawing with direction and making clean marks.

2.2    Light. Overview and learning to observe it.

2.3    Value. The value scale in ink, ways to hatch, applying value to shapes, and creating shadows.

2.4    Creating texture, with examples.

2.5    Breaking architecture into simple shapes. How to simplify any facade or element.

2.6    Perspective essentials. 1, 2, and 3 point basics, common mistakes and how perspective behaves on NYC streets.

2.7    Drawing inside and outside the box. Anything can be created
from a box.

02

Foundations

Line, light, value, texture,
shapes, and perspective

The core of everything that follows. We build clean, consistent marks, learn to observe light, work through the value scale in ink, and break architecture into simple shapes. Perspective here is a gentle guide rather than a strict rulebook. You're drawing for clarity and charm, not engineering.

2.1     Intro to line. Drawing with direction and making clean marks.

2.2    Light. Overview and learning
to observe it.

2.3    Value. The value scale in ink, ways
to hatch, applying value to shapes and creating shadows.

2.4    Creating texture, with examples.

2.5    Breaking architecture into simple shapes. How to simplify any facade or element.

2.6    Perspective essentials. 1, 2, and 3 point basics, common mistakes, and how perspective behaves on NYC streets.

2.7    Drawing inside and outside
the box. Anything can be created
from a box.

03

Everyday NY Subjects

How to warm up before we dive into the full drawing

Short, low-pressure sketches. In this lesson, we draw a few everyday New York staples: a coffee cup, a water tank, the subway. Things most New Yorkers pass by every day.

They’re meant to loosen your hand and train your eye before the bigger drawings. And this chapter keeps growing: I'll be adding new subjects over time, including ones my students choose.  

03

Everyday NY Subjects

How to warm up before
we dive into the full drawing

Short, low-pressure sketches. In this lesson, we draw a few everyday New York staples: a coffee cup, a water tank, the subway. Things most New Yorkers pass by every day.

They’re meant to loosen your hand and train your eye before the bigger drawings. And this chapter keeps growing: I'll be adding new subjects over time, including ones my students choose.  

04

The Brownstone, Three Ways

One iconic subject, from beginner to advanced rendering

The same subject drawn at three levels, so you can start where you are and come back as you grow. Each version follows the full process. Thumbnail and planning, first ink lines, first value layer, finishing touches. 

4.1     Beginner. A short history of brownstones in NY, choosing the right one, and one brownstone drawn two ways, first with 3 values, then 5.

4.2    Intermediate. Structure, proportions, and value, from planning
to finishing touches.

4.3    Advanced. Planning, pencil rough, perspective, structure, value
and texture for advanced rendering.

04

The Brownstone, Three Ways

One iconic subject, from beginner
to advanced rendering

The same subject drawn at three levels, so you can start where you are and come back as you grow. Each version follows the full process. Thumbnail and planning, first ink lines, first value layer, finishing touches. 

4.1     Beginner. A short history of brownstones in NY, choosing the right one, and one brownstone drawn two ways, first with 3 values, then 5.

4.2    Intermediate. Structure, proportions and value, from planning to finishing touches.

4.3    Advanced. Planning, pencil rough, perspective, structure, value and texture for advanced rendering.

05

The Long Drawing · Brooklyn Bridge

Taking value and texture further with 3-point perspective

Everything from the first four modules comes together here, just dialed up in complexity. You'll watch the full process unfold, from study and planning, with b-roll from the bridge itself, through pencil, ink, value layers, and final touches.

5.1    Study and planning, with a virtual field trip to the bridge.

5.2   Pencil and first ink.

5.3   Adding value layers and texture.

5.4   Refining and final touches.

05

The Long Drawing
· Brooklyn Bridge ·

Taking value and texture further
with 3-point perspective

Everything from the first four modules comes together here, just dialed up in complexity. You'll watch the full process unfold, from study and planning, with b-roll from the bridge itself, through pencil, ink, value layers, and final touches.

5.1    Study and planning,  with a virtual field trip to the bridge.

5.2   Pencil and first ink.

5.3   Adding value layers and texture.

5.4   Refining and final touches.

06

The Long Drawing · Met Museum

Tackling the details on a section of the building

A second long drawing, this time we focus on the decorative details that make a classical building monumental. We study a section of columns and cornice from the Met and slow down on the ornament, from first study to final evaluation of the finished piece.

6.1    Study and intro, with a short history of the subject.

6.2   Pencil, details, and close-ups.

6.3   Inking.

6.4   Evaluation. Looking back at the finished drawing.

ENROLL IN FINE LINES

06

The Long Drawing
· Met Museum ·

Tackling the details on
a section of the building

A second long drawing, this time we focus on the decorative details that make a classical building monumental. We study a section of columns and cornice from the Met and slow down on the ornament, from first study to final evaluation of the finished piece.

6.1    Study and intro, with a short history of the subject.

6.2   Pencil, details, and close-ups.

6.3   Inking.

6.4   Evaluation. Looking back at
the finished drawing.

ENROLL IN FINE LINES
TRY IT FIRST –

Watch a lesson.

This is exactly how the course is taught. Watch a full lesson and see if my way of drawing feels like yours.

This one's a warm-up from the early part of the course. Short, low-pressure, the kind of thing we use to loosen up your hand and get you comfortable before anything harder. From here we build, step by step, all the way up to full drawings of the city.

 
 
WHAT'S INCLUDED –

Everything you need. 

 

 

 

 

 

 

 

 

Flexibility

Learn whenever it suits you. Pause, rewind, and draw at your own pace, no schedule, no pressure.

Lifetime Access

Buy once and it's yours for good. Come back to any lesson whenever you need it, as often as you like.

Community of Artists

You won't be drawing alone. Share your work, get feedback, and see how others tackle the same subjects.

My Support

I'm around. Ask questions, show me what you're working on, and get help when you're stuck.

ALSO INCLUDED –

Course bonus.

Expanding Your Wood Carving Knowledge

This module covers refining and finishing your projects, mastering tool sharpening and maintenance, and even making a small hand drill helping you push your carving skills further.


Value: $47 FREE
DON'T MISS THE OPPORTUNITY –

Doors close in:

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two ways to enroll –

  Join Calm Your Mind:
A Beginner's course to Wood Carving.


The first option is a one-time payment and the second is a monthly plan with four payments.
The price displayed below is in USD, but you can pay with ANY currency.

In both cases, you will have immediate access to the course!

ONE-TIME PAYMENT

$197

  • +8 hours of content
  • +40 video lessons
  • 6 modules
  • Access to a private online community
  • Access on any device
  • My support
  • 30-Day money-back guarante

+ Bonus: Expanding Your Wood Carving Knowledge ($47)

 
Total Value: $244
Special Price: $197
 
ENROLL NOW

3 MONTHLY PAYMENTS

$67

  • +8 hours of content
  • +40 video lessons
  • 6 modules
  • Access to a private online community
  • Access on any device
  • My support
  • 30-Day money-back guarante

+ Bonus: Expanding Your Wood Carving Knowledge ($47)


Total Value: $244
Special Price: $67/mo

ENROLL NOW

My Guarantee to Every Student.

Give it thirty days. If it's not for you, for any reason, I'll give you a full refund, no questions asked. I'd rather you draw because you love it than because you feel stuck. So there's nothing to lose; come try it.

Questions —

Before you ask.